Blog

November 5, 2020 | Author: webSman

Carbon Console – an Interactive Installation by SellFable

Carbon Console is a so called SellFable Machine Relic. An immersive, multidisciplinary art installation, emanating light and sound. It’s a portal that will carry the visitor away like an ancient sailing ship, towards unknown shores: anywhere but here. Whether it is experienced as a portal, a chapel, a mausoleum, a refuge, or something altogether different, is up to the visitor. Its true purpose is open to everyone’s own interpretation and imagination.
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July 13, 2020 | Author: webSman

Interview with the Artist Brad Gray

Q: How long have you been an artist? Please tell us a little about your chosen medium? Do you do any other creative arts projects or work in other mediums?

A: I’ve been painting on and off since I was sixteen and eventually became full time around 1995. Oils are my favoured medium and I’ve recently been exploring different surfaces and grounds. Ball point pen is my second choice as I find it’s a lovely meditative process building up the gradations of tone and soft cross hatches.

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June 3, 2020 | Author: webSman

Delusions of Disintegration by Lisa Nightshade: Online Art Exhibition

Delusions of Disintegration by Lisa Nightshade

Etched in graphite and metallic gold, this darkly surreal series of thirteen illustrations looks at death, with Mother Nature, having laced and grown over what rightly belongs to her, displaying itself as the dominant force in our world.
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March 24, 2020 | Author: webSman

Roxanna Walitzki: “Sea Pictures”

Vast and uncontainable, the sea is wild even when she sleeps. While her swells wax and wane, her steady rhythm is constant. Currents run through her depths like streams, ending in waves that crash towards shore in a brilliant display of boundless might.
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August 9, 2019 | Author: webSman

Interview with the Artist Bob Doucette

Q: Tell us about your art and what inspired you to produce imagery with a historic theme or elements from the past.

A: I’m a strong believer in keeping alive the conversation between contemporary art and art history.__________

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