September 18, 2018 | Author: webSman

Interview with the Photographer Natasha Gris

Natasha Gris is a Canadian artist and photographer, correspondent and event photographer in Miroir Magazine.

Q: How long have you been an artist? Please tell us a little about your chosen medium? Do you do any other creative arts?

A: I have always been an artist, even though I have tried to deny it in the past out of fear that it wasn’t a practical or wise career choice. A few years ago, I realized that I had nothing to lose by doing the things I always wanted. It’s been an intense journey and I have no regrets in following my dreams.

Q: Have you been trained, and if so from what institution? Or are you self taught?

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July 25, 2018 | Author: webSman

Interview with the Photographer John Rawson

When curating the Passion theme for Miroir Magazine, I came across these amazing portraits by John Rawson. I feel that they embody the very essence of what passion means. These women are powerful, their intensity and strength emanate from the page. I have included shots we did not put in the print issue. John works with a lot of amazing stylists, everything he does is just fabulous.– Nina Pak

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July 15, 2018 | Author: webSman

Interview with the Artist Hari Lualhati

Q: The theme of passion and love plays a supreme role in your work. Where does your inspiration come from? Who is your muse? Do childhood memories play a role?

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July 10, 2018 | Author: webSman

Interview with the Artist Jaymi Zents

Q: How do you inspire the powerful and compelling images you create?

A: Working with organic surfaces, from wood to stained papers, skins to fabrics, has always been pivotal for my figures. The patterns in the wood or stain help to decide placement, pose, and movement of my girls. A plain, pure paper or canvas has always proven overwhelming and at odds with my personality. Having to impose my will on something, even a piece of paper seems overbearing and rude. Having parameters to have to work within and play around is more interesting. The challenges of natural surfaces are what makes them so special to draw on. Drawing becomes more interactive, less imposed when there are areas on the original surface to be revered and other areas that interrupt, merging together with the figure.

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April 28, 2018 | Author: webSman

Interview with the Artist Laurel Long

Q: Tell us a little about your method and how you came to favor this medium.

A: I paint in oils on a smooth primed surface. I paint opaquely on the first layer, then glaze and detail on two to three more layers. I started painting in oils in middle school I loved everything about oil painting from the start and never stopped.

Q: Do you consider yourself a storyteller, does your art have a message?

A: My paintings are narrative and based on stories and fairy tales.
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